Marvell's poem, 'To his Coy Mistress', was written in a very romantic period where many hyperboles were used, and sex out of marriage, which is partly the main context of Marvell's poem, was very much frowned upon, and the woman was tainted.
TagYou'reIt Choose a poem in which at least part you found disturbing. Explain what disturbs you and discuss to what extent you find the poem effective in its purpose.
Draft one for Higher English.
As of yet unmarked, will update on that. Only here so I can print. However, if you really want to use anything in it, go right ahead. Choose a poem in which at least part you found disturbing.
Porphyria's Lover, by Robert Browning, is a Victorian dramatic monologue. There are many poetic devices and techniques which allow the reader to gain awareness of the unnamed narrator and help to illustrate themes of obsession and mental illness, shown by the word choice in describing the events of the poem.
The most disturbing thing about Porphyria's Lover is that at first glance it seems to be a perfectly normal love poem, until the narrator strangles his lover. The poem may be titled Porphyria's Lover in reference to the disease, Porphyria, in which some of the symptoms are depression, anxiety and paranoia, all of which are recurrent themes in the poem.
Porphyria's Lover opens on pathetic fallacy, during a storm in a woodland cottage. The "sullen wind" doing its best to "vex the lake" paints a scene of desolate storminess, which could be reflected in the narrator's mood.
It seems as though the one he's meeting isn't going to turn up, and so, we understandable feel sympathetic towards him, with absolutely no suspicion of any homicidal tendencies. This is not new, however, as "The rain set early in to-night", which indicates that his depressed and bitter state had come on earlier, possibly as the Victorian secret rendezvous may imply this is an affair.
With the entrance of Porphyria, the woman who is meeting him in the wilderness, there is a change in atmosphere: This transferred epithet shows that her mere presence could warm his heart and make him happy.
In the first half of the poem, Porphyria is in control, shown as "she put my arm round her waist" and "made my cheek lie" on her shoulder. Porphyria's sexuality could also be a part of this image of control, as a Victorian lady would never "let the damp hair fall", as letting one's hair down in the company of a man was severely frowned upon.
As "she made her smooth white shoulder bare", she pulled her dress to expose her shoulder, which was highly daring of her, especially in an affair such as this. These actions, she would not do if she did not love him, in his mind, therefore her actions may confirm his beliefs that she loves him more than anything.
This image is that of a happy couple, which is what makes what happens next so surprising. On line 21, there is a dash which indicates an ominous and disturbing shift in tone. It is here that he stops being regarded as a 'normal' man and begins thinking of the one he professes to love in a scornful manner, saying she isn't strong enough to completely be with him: She refuses to leave her other background for him, yet "all her heart's endeavour" shows that he's convinced himself that she loves him with all her heart.
|Porphyria's Lover Essay Draft One, an essay fiction | FictionPress||Get Access Both poems are dramatic monologues written by Robert Browning in the nineteenth century.|
|NEWS LETTER||Restoration comed Essay At this point he is angry and frustrated that he can not be with her and his lover for her will never fade. After giving her a name that has been going on nine hundred years and all the gifts he gave her she still preferred the simple things.|
|"Porphyria's Lover" by Robert Browning: Techniques Essay Example | Graduateway||Get Access Both poems are written in dramatic monologue. In both poems they both show their feelings and attitudes towards their lovers.|
|Porphyria’s lover and My last duchess by Robert Browning | Essay Writing Service A+||It is a signifier of authorship in which the talker in the verse form is a dramatized fanciful character. The soliloquy is cast in the signifier of a address addressed to a soundless hearer.|
However, it's not about passion anymore; she "worshipp'd" him; he's her lover, life, god and all, and her supposed adoration of him is 'proof' of her commitment. He doesn't only want her to be his forever, though, as shown by: We still don't expect him to strangle her, though. The lead-up to Porphyria's murder is short, only six words, and highly simplistic.
The actual killing, however, is relatively descriptive, though not in the way we'd expect: Therefore, he doesn't want to think that she struggled and blocks this detail out, focussing instead on how her hair wraps around her neck.
He has successfully captured this moment of his lover being "Perfectly pure and good", this innocent beauty, just like he intended, though tries to convince himself that "No pain felt she" in an attempt to justify his actions to himself. Although he just strangled her, he doesn't want to hurt her, which is lost in the initial shock of the actual killing.
He wasn't doing it for him; he was doing it for her. Despite the fact that the narrator had been depressed and scornful up until the point of the murder, there were very few indications that he is a psychopath. This is disguised perfectly through the structure of Porphyria's Lover, in a similar manner to a psychopath hiding their true nature from the world.
A regular pace with no extremes, similar to regular speech is created with iambic tetrameter, therefore presenting no clues regarding the narrator's abnormality.
In fact, the only clue we receive of this is the aforementioned scornful change of tone. The disjointed, chaotic rhyme scheme may perhaps provide a clue for the narrator's state of mind; asymmetrical and disorderly.
However, as we look closer at each line, an obvious pattern emerges; ABABB, possibly reflecting on the narrator's mindset; within this madness, there is strict logic which allows him to justify his own actions to himself.Analyzing How Robert Browning Uses Dramatic Monologue to Portray Madness in His Poems My Last Duchess and Porphyria's Lover A dramatic monologue is when a character in a piece of writing speaks their thoughts and feelings out loud.
The poem ‘Porphyria’s Lover’ written by Robert Browning is a dramatic monologue with the main themes of sex, madness, insanity, murder and obsession. These themes are also portrayed through Bowning’s use of poetic devices. 'My Last Duchess' and 'Porphyria's Lover' are poems written by Robert Browning in the form of a dramatic monologue.
They both contain themes of love, jealousy, contempt and obsession. In the beginning of 'My Last Duchess' the Duke is speaking about his wife's portrait to an envoy. Both poems are dramatic monologues written by Robert Browning in the nineteenth century.
A dramatic monologue is a poem written showing only one point of view, which is that of the narrator, and in “My Last Duchess” it is the Duke. In the opening paragraph of “Porphyria’s Lover” Browning describes a storm brewing outside by using. “Porphyria’s Lover,” which first appeared in , is one of the earliest and most shocking of Browning’s dramatic monologues.
The speaker lives in a cottage in the countryside. His lover, a blooming young woman named Porphyria, comes in out of a storm and proceeds to make a fire and bring cheer to the cottage.
Free Essays \ Porphyria’s lover and My last duchess by Robert Browning. The duke also speaks in rhyming caplets as well as dramatic monologue.
In Porphyria’s lover we are looking at a man who has wild emotions and feelings towards Porphyria. He talks about his feelings just before he kills her. Robert Browning ” Porphyria Lover”.